This drawing started out in a fit of rage. Like many of you, I am constantly trying to improve my artwork. Usually I do this on my own through a lot of practice and trial and error. But this past Christmas, I decided to treat myself by signing up for a local three part portrait drawing class. Through researching the instructor’s work I thought there would be quite a few things they could help me improve on in my work.
In the first class, we spent a long time partnered up and drawing each other in a blind contour warm up. Followed by drawing a gesture sketch of just the head shape and eye-line. We still haven’t been told how to draw the basic head shape. But we were told that the human head is generally 2/3rds wide as it is long. We were then told to draw each other with no instructions what so ever as to how. No demonstrations were given. Nothing. This is not what I paid for but I hung in there with the hopes that in the next class, I would get some golden nugget of information that would make it all worth while. For the next class we were told to bring in a photo of someone to draw. It could be on a tablet or printed but we shouldn’t rely on photos on our phones as the screens are so small.
The following week, I walk into the classroom to see half of my fellow students missing. It was then explained to me that they were trying to print out their photos. I didn’t think much of it as I was already in a less than cheerful mood. Ten minutes later, the instructor decides that we shouldn’t wait any longer for the rest of the class and we should start with the lesson. Several minutes were spent showing us examples of the instructor’s commissioned portraits along side the client’s reference photo for that piece. I marveled at how the finished drawing looked so much like the reference photo and wondered what the secret was. Several more minutes were spent giving us random information on features of the face. Random things like “The eye is not a perfect almond shape…don’t forget to draw in the lower eyelid…remember to shade that little divot above the upper lip.” That’s when the instructor whips out a packet of graphite paper and explains that they would like us to take our printed image and copy aka TRACE our photos onto our good drawing paper. “Wait. Excuse me? We’re copying the image?!” and if you think I didn’t say this out loud then you would be wrong. Yeah, the mental filter than runs from my brain to my mouth officially broke at that moment.
To save face, the instructor explained that if we were to draw the line work of the portrait then we wouldn’t have time to learn the shading technique. Um…I’m not buying that excuse. Well, I guess I actually did as I’ve already given this person my money to tell me to trace my reference photo. The instructor quickly said that I could email my photo to their laptop in order to print it out…so that I could trace it…since I had my reference photo on my tablet placed in front of me. Or I could do the line work by hand if I really wanted to. But if I wanted “a bit of a cheat” to make it a little faster and easier, I could trace like everyone else.
Yeah, I don’t trace.
After a few minutes of seething at this situation…and wishing that I had stayed home to watch the second to last episode of The Good Place I decided to scrap my original portrait choice and go with someone that never fails to make me smile. Tom Hanks. Who can not be cheered up by this man? You show me someone who does not like Tom Hanks and I’ll show you someone without a soul. It’s like asking who doesn’t love a basket full of puppies sitting on top of a rainbow which is being magically transported around town by a baby unicorn on a unicycle. Come on. It’s Tom frickin’ Hanks.
I digress…
So I decide to draw Tom Hanks using a photo taken by Jay L. Clendenin because frankly, I need cheering up and I think that it’s probably a lost cause anyway because when I am that upset (to the point where I’m almost shaking) usually my artwork is less than stellar. I finish my line work in the same time that it takes the people on either side of me to trace. Hmmmm…interesting. This is when the teacher interrupts us in order to give a less than five minute demo on their shading technique. I’m watching this person randomly shade in three small patches of an image that they traced while also glancing at the clock and thinking about just walking out. But then the instructor announces that we are not allowed to blend…at all. Not with a stump, not with a tissue, nothing.
It is a no-no. So blending is the ultimate sin but tracing a photograph and passing it off as your own work is OK to do? I start thinking of the ethical ramifications of this scenario which again makes me really wish that I had stayed home to watch The Good Place which in turn makes me even more angry.
But I had good old Tom Hanks waiting for me at the drawing board and he made everything right as rain. The remainder of the class was spent working on our plagiarized images…I mean our drawings…while the instructor walks around the room and gives pointers on what needs improving. We leave the class with the instruction to bring in another printed image for next week’s class to copy…I mean draw. Needless to say I didn’t attend the final class but I finished my Tom Hanks portrait at my leisure over the span of a few days. Does it look like an exact duplicate of the photo? Nope. Is there still room for improvement? Yes. And I’m proud of it. It is not perfect but at least I can say that it is my work from start to finish. Can you say it’s your artwork if you traced it all and then shaded in the rest of the information? If that’s the case then anyone can take a page from a coloring book, color it in beautifully and pass the entire thing off as their artwork. Something is seriously wrong with that. Copying is not the same as drawing.